Allerley glossop biography for kids
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Nita Spilhaus by Peter Elliott, published by Peter Eliott, edited by Glenda Younge, Illustrated, 194 pages. Cape Impressionist painters were a small group of Cape artists who lived and worked in the Cape and were prolific and productive in the early twentieth century. In their outdoor scenic paintings they sought to capture the special light and colours of the magical Cape landscape. The portraits are even more interesting. They were a group because they identified with one another, formed life-long friendships and supported one another as professional often struggling artists. Irma Stern, Pieter Wenning and Maggie Laubser, Edward Roworth, Strat Caldecott are better known as artists than Nita Spilhaus. But today Spilhaus's works are appreciated, collected and command good prices. She was a fine artist within her period and her favoured subjects.
This book is the first major serious study of the life and work of Nita Spilhaus. Written by her great nephew Peter Eliott, this book is self published. It is an accomplished and meticulous study of Nita's life, artist friends at the Cape and her work. The book is superbly illustrated with colour plates showing Nita's broad range of work across landscapes, trees, sea and costal scapes, Cape Town scenes of the Malay quarter a
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Allerley Glossop (South African, 1870-1955)
Eventide in Basutoland
signed 'A. Glossop' (lower left), oil take industrial action board, unframed
15 x 28cm (5 7/8 x 11in).
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Honours in Curatorship students Nina Carew and Hedwig van der Merwe write about the Nita Spilhaus exhibition, for which they interned for their student practicum. The exhibition will run at the Sanlam Art Gallery until the 23rd of October
Nita Spilhaus exhibition – A Hidden Treasure Revealed
An exhibition of paintings, drawings and etchings opened at the Sanlam gallery on the evening of the 9th of September. The retrospective show presents the works of an under recognized 20thcentury South African female painter, who rendered Cape scenes in a familiar but individual way.
The opening coincided with the release of a book, entitled Nita Spilhaus and her Artist Friends in the Cape in the early Twentieth Century by Peter Elliot. The book was written by her great-nephew, who also opened the exhibition. Building on works from Sanlam’s own collection, the collaboration between Sanlam and Elliot allows Spilhaus to be remembered both in a visual and textual context.
The affiliation between the Spilhaus family and Sanlam served as a catalyst for both the book release and the exhibition. Sanlam has had a large number of works by Spilhaus in their collection for a number of years and it has always been the intention of the art director to rekindle i