Erna sack biography
•
Erna Sack
German opera singer
Erna Sack | |
---|---|
Erna Sack, 1956 | |
Born | Erna Dorothea Luise Weber 6 February 1898 Spandau, Berlin, German Empire |
Died | 2 March 1972(1972-03-02) (aged 74) Mainz, West Germany |
Burial place | South Cemetery Wiesbaden |
Other names | The German Nightingale (German: Die deutsche Nachtigall) |
Citizenship | |
Occupations | |
Years active | 1928–1957 |
Spouse | Hermann Sack (m. 1921) |
Erna Dorothea Luise Sack (née Weber; 6 February 1898 – 2 March 1972) was a German lyric coloratura soprano, known as the German Nightingale for her high vocal range.
Biography
[edit]Erna Weber was born in Spandau, Berlin. As a child, her voice attracted attention both at school and in the church choir in which she sang. In 1921, she married Hermann Sack, of Jewish descent.[1][2] She studied at the Prague Conservatory, and later privately in Berlin with Oscar Daniel.[3]
Her career accelerated in 1930 when her uncanny ability to sing stratospheric high notes, including "C above high C" (C7), was discovered. Richard Strauss wrote a new cadenza for her high voice, for her to sing as Zerbinetta in Ariadne auf Naxos.[4]
In 1931, she sang Norina in Doni
•
•
Erna Sack
Erna Sack’s maiden name was Weber, and as a child her voice attracted attention both at school and in the church choir in which she sang. In 1921, Erna married Hermann Sack. She studied at the Prague Conservatory, and later in Berlin with Oscar Daniel.
She received her first break aged 30, when the wife of conductor Bruno Walter happened to hear her at one of her lessons and persuaded her husband, who was then the musical director at the Berlin State Opera, to audition her. Subsequently she joined them and between 1928 and 1930 she sang many small roles with this famous company, including parts in the 1929 local premiéres of Ermanno Wolf-Ferrari’s Sly, on 11 May, Eugen d’Albert’s Die Schwarze Orchidee on 9 June, and Mark Lothar’s Tyll on 1 September. At the same time she recorded several small roles in operas for Berlin Radio. But Walter advised her to gain more experience in provincial opera houses and to enlarge her repertory.
After World War II, Erna Sack toured extensively and was particularly successful in Latin America, especially Brazil, Argentina, Uruguay, and Chile, (with the result that she and her husband took Brazilian citizenship). But it was in Canada that she enjoyed her greatest post-war successes and for a number of years the couple lived in Mo