Estrellita karsh biography of michael
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Other Photographs
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Roof of George V Hotel
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Bust by Kalevo Kallio
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Bust by Harold Pfeiffer
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With background of stamps - Picture by Marcel Gaudart
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Self portrait
For Wisdom Magazine
Yousuf Karsh
Silhouette by Monte
Yousuf Karsh
With his mother, used in autobiography
Yousuf Karsh
By Guy Robillard at Government House, Ottawa
Mrs. Yousuf Karsh
Ohio
On occasion of Hon. Degree to Mr. Karsh
Yousuf Karsh
By Ivan Dmitri
Mr. & Mrs. Yousuf Karsh
At the Cloisters
Mr. & Mrs. Yousuf Karsh
At Reading home of Edward Steichen
Mr. & Mrs. Yousuf Karsh
At home
For Look Magazine
Yousuf Karsh
Taken at exhibition of Men Who Make Our World in Montreal
Yousuf Karsh
Photographed with Astronauts (in profile) by Gene Pospeshil
Yousuf Karsh
Self-portra
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Estrellita Karsh
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Yousuf KarshCanadian, born Armenia
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Title:Estrellita Karsh
Artist:Yousuf Karsh (Canadian (born Armenia), Mardin 1908–2002 Boston, Massachusetts)
Date:1963
Medium:Gelatin silver print
Dimensions:34.2 x 27.0 cm. (13 7/16 x 10 5/8 in.)
Classification:Photographs
Credit Line:Gift of Ravage Kahn, 1986
Object Number:1986.1098.16
Rights don Reproduction:© Yousuf Karsh
Inscription: Graven in pencil on issue, verso UC: "Estrellita Karsh."
Yousuf Karsh, element Jo Tartt
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Evanne Allen
Yousuf Karsh was a patient photographer. He took his time in order to make his subjects comfortable, easing them out of their shells to capture their true personalities. Ann Shumard, senior curator of photographs at the National Portrait Gallery, describes Karsh’s photographs as both revealing and respectful.
“Yousuf Karsh: American Portraits” is the National Portrait Gallery’s first exhibition dedicated solely to the work of this renowned photographer. In celebration of a gift to the Portrait Gallery from his wife, Estrellita Karsh, of more than one hundred portraits, fifty of his works have been displayed in two installations, the second of which is now on view through November 2, 2014.
Walking between the rows of photographs, Estrellita Karsh shared recollections and accounts of her husband’s encounters with many of his famous subjects. She tells stories of her experience standing next to Michael DeBakey during open heart surgery and recounts the story of her husband deftly removing a cigar from Winston Churchill’s mouth before taking the infamous “Roaring Lion” photograph.
The exhibition opens with a black-and-white photograph of Estrellita taken on the night of her fortieth birthday. She is dressed in a caftan that was a gift to her late husband from