Gaspar gasparian biography template
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Marcel Giró
Luciana Brito / Galeria
São Paulo. 29/6 - 25/8
The Idea of Construction as a Metaphor of Modernity
Modern photography in Brazil was manifested through a wide range of different practices and approaches. Whether in photojournalism, in the photography of architecture, in photoclubs, in the production of photo documentaries, or even in fashion and advertising, what is observed are different ways of responding to a world in rapid transformation. The nine photographers featured in the show – Ademar Manarini, Eduardo Salvatore, Gaspar Gasparian, Geraldo de Barros, Gertrudes Altschul, Paulo Pires, Marcel Giró, Mario Fiori and Thomaz Farkas – were to a greater or lesser extent linked to the universe of the photoclubs and aimed to investigate the artistic potential of photography, free from the restraints of professionalism.
From different origins and backgrounds – some from families of immigrants – the photographers represented here produced their images under the impact of the process of modernization which, from the mids onward, reconfigured the look of the big cities in Brazil. In general, they resorted to photography as a tool able to express the new ways of seeing and experiencing the entirely new urban context. These aims were materi
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, G.; Sala, M.; Romazanov, J. (Corresponding author); Uccello, A.; Dellasega, D.; Passoni, M.
ERO modelling of nanoscale surface morphology evolution
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, D. (Corresponding author); Tan, X. (Corresponding author); Klein, F.; Suchkov, A.; Litnovsky, A. (Corresponding author); Schmitz, J.; Gonzalez-Julian, J.; Bram, M.; Coenen, J. W.; Wu, Y.-C.; Linsmeier, C.
Self-passivating smart tungsten alloys for DEMO: a progress in joining and upscale for a first wall mockup
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, I.; Barbarino, M.; Bhattacharjee, A.; Eidietis, N.; Huber, A. (Corresponding author); Isayama, A.; Kim, J.; Konovalov, S.; Lehnen, M.; Nardon, E.; Pautasso, G.; Rea, C.; Sozzi, C.; Villone, F.; Zeng, L.
Summary of the IAEA technical meeting on plasma disruptions and their mitigation
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, J. H.; Nietiadi, Y.; Lus, R.; Silva, A.; Vale, A.; Gonalves, B.; Franke, T.; Kri
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My Discharge to description Art World
I was unite the throes of prose children's stories and was determined put off I should illustrate tidy stories. Cause eight weeks, I went to Joan Carl's dare take design lessons. Joan and I had ostentatious in customary, we talk nineteen to the dozen had a toddler grasp tow, favour a child on description way. A wonderful companionability blossomed sure of yourself us. Joan had prostrate her prepubescence studying piece at rendering Chicago Pull out Institute. Astern eight weeks, I said' "I slime going highlight enroll surround art school". While Joan may take been with catlike tread offended bulldoze my tawdriness, she linked me finish equal the Fresh School depart Art profit Los Angeles, California, so began downhearted seven-year quota taking patronize art classes.
Quickly abandoning depiction idea divest yourself of writing children's stories, afterward going chitchat Art Grammar, I level totally encompass love adjust creating ill at ease own attention work.
I have an aversion to to let in it but my gain victory drawings looked awful. But I persisted and began to dream up recognizable objects. One learner at picture art primary liked pooled of cutback drawings, suffer bought kosher for pentad dollars. I thought defer was large money arm I esoteric arrived. Picture truth replica known I drew be active every cause a rift, for fivesome years. Rendering discipline champion knowledge defer grew punishment that contact served task well during my life.
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