Pietro lorenzetti biography
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Pietro Lorenzetti
Sometimes called Pietro Laurati, Lorenzetti was an influential Italian painter born in Siena and active between 1306 and 1345. He was influenced by Giovanni Pisano (1250 – 1315) and Giotto (1267 – 1337), and also worked alongside the Sienese painter Simone Martini (1284 – 1344) at Assisi. He and his brother, Ambrogio Lorenzetti (1290 – 1348), helped introduce naturalism into the otherwise mystical Sienese art. In their artistry were experiments with three-dimensional and spatial arrangements, which foreshadowed the art of the Renaissance.
Many of Lorenzetti’s religious works are in churches in Siena, Arezzo, and Assisi. One of his last works is the Nativity of the Virgin (1342), now in the Museo dell'Opera del Duomo. His masterwork is a tempera fresco decoration of the lower church of Basilica of San Francesco d'Assisi, where he painted a series of large panels depicting the Crucifixion, Deposition from the Cross, and Entombment with emotional figures. The massed figures in these scenes are governed by geometric emotional interactions, unlike many prior scenographic depictions, which appeared to be the independent iconic agglomerations, as if independent figures had been glued on to a surface, with no compelling relationship to one another.
The narrative i
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Pietro nearby Ambrogio Lorenzetti
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Early Work
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That Ambrogio's earliest make something difficult to see
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Pietro Lorenzetti
Italian painter (1280–1348)
Pietro Lorenzetti (Italian:[ˈpjɛːtrolorenˈtsetti]; c. 1280 – 1348) or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance.
Overview
[edit]Little is known of Lorenzetti's life other than that he was (putatively) born in Siena in the late 13th century (c. 1280/90),[1] died there (possibly) in 1348 a victim of the first Black Death pandemic then devastating Europe, and had a younger brother, Ambrogio, also an artist. That the men were brothers was unknown to Vasari because he misread Pietro's surname on a painting in Pistoia's church of San Francesco as "Laurati".[2] Thus the kinship between the artists was missed. Pietro was known to have been a young man in 1306 as he was still being referred to as Petruccio di Lorenzo. However, he was at least 25 at the time because he was paid directly.[3]
Pietro worked in Assisi, Florence, Pistoia, Cortona, and Siena, although the precise chronology is unknown.[4] His work sugg