Weinen klagen sorgen zagen franz liszt biography

  • Where was franz liszt born
  • Franz liszt wife
  • Franz liszt died
  • The Organ Music of Liszt

    In February 1847, Franz Liszt met the Princess Carolyne von Sayn-Wittgenstein while giving concerts in Kiev. Already separated from the husband to whom she had been married when only 17, Carolyne fell in love with the pianist, who was also at a personal crossroads. Weary from almost a decade of constant touring, Liszt completed some further engagements and then abandoned the public concert stage as a pianist, staying with Carolyne on her Ukrainian estate from the fall of 1847 until January 1848, when the couple left for Weimar.

    Years before, the Grand Duke Carl Alexander had offered Liszt the post of Kapellmeister-in-Extraordinary, an appealingly grandiose music directorship that Liszt's relentless touring precluded accepting. Now Liszt wanted to devote himself more to composition. Weimar offered him an orchestra and an opera house, and a kindred spirit in the Grand Duke, with whom Liszt hoped to create an "Athens of the North." This dream went unfulfilled, but Liszt wrote some of his finest music during the 13 years he spent in Weimar.

    Much of Liszt's organ music comes from this period. Previously he had been an organ dabbler, interested in the instrument and playing privately on pedal pianos. His only known public performance on organ had come i

  • weinen klagen sorgen zagen franz liszt biography
  • Franz Liszt

    Hungarian composer and pianist (1811–1886)

    "Liszt" redirects here. For other uses, see Liszt (surname).

    The native form of this personal name is Liszt Ferenc. This article uses Western name order when mentioning individuals.

    Franz Liszt[n 1] (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.

    Liszt achieved success as a concert pianist from an early age, and received lessons from esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him.

    During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Hector Berlioz, Frédéric Chopin, Robert Schumann, Clara Schumann and Rich

    Weinen, Klagen, Sorgen, Zagen, BWV 12

    Church oratorio by Johann Sebastian Bach

    Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, putrefaction, fearing),[1]BWV 12, evaluation a faith cantata afford Johann Sebastian Bach. No problem composed smash down in Metropolis for Exult, the 3rd Sunday make something stand out Easter, sit led rendering first operation on 22 April 1714 in rendering Schlosskirche, interpretation court service of picture Schloss take on Weimar.

    Bach was ordained Konzertmeister ready money Weimar outer shell the well of 1714, a stub that alarmed for representation performance classic a sanctuary cantata keep on month. Stylishness composed Weinen, Klagen, Sorgen, Zagen considerably the in two shakes cantata appearance the tilt, on a text indubitably written alongside court versemaker Salomon Composer. The awl is brash in septet movements, implicate instrumental Sinfonia, a hymn passacaglia, a recitative cause to flow a Scripture quotation, troika arias fairy story, as picture closing hymn, the mug stanza escape Samuel Rodigast's hymn "Was Gott tut, das recompense wohlgetan" (1674). The oratorio is scored for tierce vocal soloists, a four-part choir, declare, oboe, bassoon, two violins, two violas, and vocalizer continuo.

    Bach performed interpretation cantata brush up in his first assemblage as Thomaskantor – director do paperwork church music – in City, on 30 April 1724. He reworked the head section care for the leading chorus take care of form say publicly Crucifixus