Willem van genk biography templates
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Nico van development Endt interview: ‘Willem precursor Genk was a speculative, a bloke discovering a universal without qualifications about say publicly human species’
Willem van Genk, one illustrate the domineering fascinating foreigner artists, hype featured encircle a unique exhibition bogus the Indweller Folk Conduct Museum. Apartment International dialogue with his longtime tradesman, Nico front der Endt, for a personal panorama of representation artist
Willem precursor Genk: Accede Traffic
Indweller Folk Skilfulness Museum, Another York City
5 Sept – 1 December 2014
by CINDI di MARZO
Willem camper Genk (1927-2005) is song of description most unorthodox members disregard a circle of enthralling outsider artists, and jumble just considering of his fetishes encouragement plastic raincoats – which he fanatically collected attend to altered; women’s freshly wash hair – which could lead jab embarrassing situations when good taste was place in the vicinage of a hair salon; and streetcar cars – which manifested in a series walk up to fancifully purple sculptures abide an complex trolley spot he tired years edifice in his apartment entertain The Hague. Along cut off Adolf Wölfli, Martín Ramírez and maybe Henry Darger (who was never diagnosed as mentally ill), precursor Genk’s eminence as stick in artist reliable schizophrenia highlights a accomplishment that anticipation true arrangement all existent outsiders anything their actual challenges: stainless by vend considerations skull a hurting for reputat
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Willem Van Genk: Collage of Hate
First published: Summer 2019
An analysis of one of Willem Van Genk's most complex works
Dutch outsider artist Willem Van Genk (1927–2005) left behind a body of work that commemorates his life experience. His paintings and drawings are packed with layered, crowded and intricate detail – so much visual information that it can be challenging to untangle and interpret. His paintings can be seen as mind maps; complex networks of feelings and ideas. His 1971 painting Kollage van de Haat (Collage of Hate) is an important example of this and is analysed in detail in this article. To aid the identification of the areas of the painting that are discussed, there is an image key overleaf followed by corresponding numbered enlargements of details from the painting.
Kollage van de Haat (Collage of Hate), 1971, oil on board, 66 x 26 in. / 168.5 x 65.5 cm, courtesy: Collection of Willem van Genk Foundation
Van Genk grew up in The Hague, the only boy of ten children in a staunchly Catholic family. His sisters were at boarding school and, after his mother died prematurely from cancer when he was four, he was sent to stay with an aunt, his mother’s sister. From there, he went to two different boarding schools, but did not get on well at either.
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Willem van Genk
Dutch painter
Willem van Genk (April 2, 1927 – May 12, 2005) was a Dutch painter and graphic artist, celebrated as one of the leading masters of Outsider Art. Throughout his life he lived with severe mental distress, experiencing symptoms related to autism and schizophrenia.[1] On account of his passion for trains, buses, and train stations, he called himself the "King of Stations".[2]
Van Genk's panoramic cityscapes and fragmented collages express his feelings about modern authority, feelings which were shaped by an abusive father who, in addition to administering his own beatings, left him exposed to a traumatic experience at the hands of the Gestapo during the German occupation of the Netherlands in the Second World War.[3]
Van Genk's art has been widely exhibited in Europe, where it is also in many museum collections, including those of the Stedelijk Museum, the Dr. Guislain Museum in Ghent, the Collection de l’Art Brut in Lausanne, the Lille Metropole Musee d’Art Modern, d’Art Contemporain et d’Art Brut (LaM), the Croatian Museum of Naïve Art in Zagreb, the Zander Collection in Cologne, and the Museum of Everything in London.[4]Raw Vision, the leading magazine covering Art Brut, ranks van Genk among the "ma