Dominique gonzalez foerster biography examples
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Dominique Gonzalez-Foerster by Hans Ulrich Obrist
For Dominique Gonzalez-Foerster 2005 was a sabbatical year. Her calendar was emptied of exhibitions and public projects. The first show after this pause was the 27th São Paulo Biennale, this autumn. The following interview was partially conducted before her one-year break and recently completed.
Hans Ulrich Obrist:In a previous conversation, we spoke about moving into fields different from contemporary art. You mentioned Friedrich Kiesler. Let’s start from here.
Dominique Gonzalez-Foerster: I think one reason why Kiesler is less famous than other artists is because he never wanted to be only a gallery artist. He was doing architectural work and all sorts of things, such as windows for big department stores or gallery spaces. The methods he developed have indirectly influenced many artists who don’t even recognize it. Certain artists — such as Kiesler or Isamu Noguchi when making lamps and furniture — wanted to expand the field of experiences. But art history makes it difficult for artists to escape a linear way of developing a career, and usually these artists are rediscovered much later. The art world is very conservative when it comes to behavior.
HUO:You have implemented a lot of these expanded pro
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Dominique Gonzalez-Foerster was born on the 30th of June 1965 in Strasbourg France. She studied the École du Magasin of the National Centre of Contemporary Art and at the Institute des Hautes Études en Arts Plastiques, in Paris. She began her career as an artist in the 1990’s with film, her early work was short, minimalistic and surreal. Although she started with film, she now has worked on a variety of projects from video, photography and spatial installations. She has also collaborated with fashion house Balenciaga in designing displays for their fashion boutiques in New York and Paris, and even designed a house for a collector in Tokyo. When referring to her work she stated “I always look for experimental processes. I like the fact that at the beginning I don’t know how to do things and then, slowly, I start learning. Often exhibitions don’t give me this learning possibility anymore.”
Jason Schmidt’s Portrait of Dominique Gonzalez-Foerster
Gonzalez-Foerster’s work is inspired by film, literature, modernist architecture, and art history. In her work she will often incorporate a quiet and intimate view of contemporary urban life. She will also use fragments from her international travels in her work to create somethin
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The principal, who divides her in advance between Town and Metropolis de Janeiro, rose unnoticeably prominence amongst the begetting of Country artists who were test the position of relational aesthetics. Philippe Parreno allow Pierre Huyghe are allies and alignment. Like them, Gonzalez-Foerster pursues a genre of flow that depends upon more devour their observer than change around viewing. In lieu of, we utter to part an strenuous role.
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