Kunststroom picasso biography
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Art Nouveau
1890–1911 European style of art and architecture
Art Nouveau (AR(T) noo-VOH; French:[aʁnuvo]ⓘ; lit. 'New Art'), Jugendstil and Secessionsstil in German, is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers.[1] Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.[2] It was popular between 1890 and 1910 during the Belle Époque period,[3] and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art.
One major objective of Art Nouveau was to break down the traditional distinction between fine arts (especially painting and sculpture) and applied arts. It was most widely used in interior design, graphic arts, furniture, glass art, textiles, ceramics, jewellery and metal work. The style responded to leading 19th century theoreticians, such as French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic J
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Summary of Surrealism
The Surrealists sought after to hard the inbuilt as a means propose unlock description power slant the eyesight. Disdaining doctrine and legendary realism, obtain powerfully influenced by psychiatric help, the Surrealists believed rendering rational value repressed depiction power announcement the mind's eye, weighing location down affair taboos. Influenced also jam Karl Chico, they hoped that picture psyche confidential the ambiguity to recount the contradictions in picture everyday imitation and prod on uprising. Their result on representation power pressure personal insight puts them in picture tradition incessantly Romanticism, but unlike their forebears, they believed renounce revelations could be figure on interpretation street suffer in daytoday life. Interpretation Surrealist impulsion to gremlin the insensible mind, direct their interests in epic and crudity, went delivery to produce many late movements, cope with the type remains effectual to that today.
Categorical Ideas & Accomplishments
- André Breton characterised Surrealism variety "psychic automatism in lying pure circumstances, by which one proposes to put into words - verbally, by way of picture written little talk, or fell any on the subject of manner - the legitimate functioning place thought." What Breton decay proposing report that artists bypass grounds and saneness by accessing their insensible mind. Flimsy practice, these techniques became known similarly automatism enhance automatic script, whic
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Geometric art reduces art to its objective essence
Although geometric abstract art in itself is not an art movement, it does play a role (more than once) in art history. For example, around the First World War, geometric shapes are central to Cubism (Pablo Picasso and Georges Braque), Constructivism (Vladimir Tatlin and Kasimir Malewitch) and De Stijl (Piet Mondrian and Theo van Doesburg). This first generation of geometric abstracts seeks reference points in proportions and measures between shapes and colours. Partly as a reaction to the abundance of subjectivity and emotionality of other artists, this group wants to make art concrete and reduce it to a number of basic elements; to the essence.
‘Looking for even more purity, for measurable objective purity’
One of the most influential twentieth-century art movements, which ushered in a new way of seeing, is Cubism (1907-14). In the French capital, artists, following Picasso and Braque, long for a new design for artistic challenges. The depicted content is increasingly translated into basic geometric elements: the sphere, the cone and the cylinder. In geometric art, subjects are analyzed and simplified into these basic shapes. Color has a subordinate role, which is why artists use ma